The subject matter of this year’s Costa first novel winner (and now overall 2013 winner), The Shock of the Fall by Nathan Fileris mental illness. Hurray! (Because publishers so often swerve when they see one of those coming.) And hurray for the Borough Press for not swerving. I hope this win will help, as Lionel Shriver’s We … Read More
Writers
Second novel, and Cornelia Parker
I’ve just delivered my second novel to my agent for submission to publishers … and I’m about to plunge back into my third. It’s an exciting full-of-possibilities time and I wish the novel well out there in the real world. And in the meantime I wish fellow-novelist, Helen Chandler all the luck in the world … Read More
Jacob Ross (and TLC)’s three-part master class, and campanology
Jacob Ross is running a three-part master class in writing the short story, the novel and genre fiction for the wonderful TLC (without whose wise criticism I doubt Speaking of Love would ever have found a publisher). The short story part was on 23 March, but the others are still to come and, should writing fiction … Read More
The making of character
Sometime last week I heard part of an interview with John le Carre about the making of character. This is what he said: You can’t actually make up a character out of other people, you simply can’t. You grab the bits that are appealing to you, that touch you or alienate you, but in the … Read More
Free indirect style, and the CCWC
I’ve struggled to understand free indirect style, let alone how to use it in fiction. But in James Wood’s brilliant How Fiction Works all is made wondrously clear through his lucid prose. As he writes, on page 11: Thanks to free indirect style, we see things through the character’s eyes and language but also through the … Read More
Second novels
Stephen Fry wrote (I found it here, thank you Lydia Netzer, although I couldn’t find it directly from him): The problem with a second novel is that it takes almost no time to write compared with a first novel. If I write my first novel in a month at the age of 23, and my second … Read More
Searching for the Secret River
I’ve just finished reading Kate Grenville‘s Searching for the Secret River: it’s brilliant, and a must-read for anyone who writes historical fiction (my second, about-to-be-redrafted, novel is one of those). Searching for the Secret River is a kind and wise book about writing and the process, the stumbling blocks and the breakthroughs. It’s about the gradual … Read More
The London Literature Festival …
… looks absolutely wonderful. It runs between 3 -12 July and Noo Saro-Wiwa and Mark Haddon I’d love to hear, but there’s so much, including a debate about last year’s riots in London, writing classes and much much more. And the thing I would like to have made, this month, is the present series of programmes on … Read More