This is both the thing I’m writing about this month and the thing I’d love to have written, in a parallel universe where time is infinite and all things are possible:What an entirely brilliant and inspiring idea. It begins with Boadicea, not Boudicca, because: To me … she will always be Boadicea because I was … Read More
Writers
John Berger, Ways of Seeing … and PEN International
John Berger, who died aged 90 on January 2nd, was a critic, novelist, playwright, screenwriter and poet and well-known to many. Occasionally, in his early writings according to this Guardian obituary, Berger’s ‘Marxist dialectic did force him into uncomfortable contortions’, but whenever I heard him or read his fiction I loved his originality and his extraordinary ability to make the … Read More
Third novel, and the Reith Lectures, 2016
This month I finished my third novel. Finished to be interpreted loosely: there will be redrafts when I’m working with an agent and then with an editor. It’s working title is For the Love of Life. Rejoice. At least for now. But now, while I do all the things I haven’t had time to do (updating … Read More
Rose Tremain’s The Gustav Sonata and Dioni Mazaraki’s silver jewellery
I’ve read all Rose Tremain‘s novels and I love the fact that they fail to fit neatly into any particular category (except the category of beautifully written stories about the way we are and how we become). They’re always and essentially different, one from the next. I read The Gustav Sonata on holiday and, perhaps because the usual daily … Read More
Theresa May, the Queen and Boris Johnson and, more seriously, Kent Haruf
A friend of mine sent me this sometime after the Brexit Bungle: There’s not much else to say, is there? On a much more serious note (and far wiser, kinder, more compassionate and life-enhancing), I read Kent Haruf (to rhyme with Sheriff)’s Our Souls at Night on holiday recently, on the recommendation of dovegreyreader and, in a parallel … Read More
How dramatic stories change brain chemistry, and NOT the Booker Prize
Good strong stories, as we all know, transport us to other people’s worlds. So, when we’re reading fiction, even though we know the people we’re reading about aren’t real, if the story has a successful dramatic arc we’ll empathise with those imaginary people and their difficulties as if they were real. And now Paul J Zak, Director of the Centre for … Read More
Why Readers Stop Reading; Lisa McInerney’s 2016 Bailey’s win, and Penicillin
An interesting survey on why readers stop reading: There’s more here. It’s published by Lit World Interviews (I found it on a TLC facebook post.) The conclusions are mostly what you’d expect to put readers off (although I particularly loved Unexpected Sex as a deterrent to reading on). But they’re a salutary reminder to us writers that what we must do, first and foremost … Read More
A Valentine to Fear; and Visual Verse
In Elizabeth Gilbert‘s brilliant new book Big Magic (I reviewed it here) she acknowledges that we need fear in our lives, otherwise we’d be: Straight-up sociopaths … [or an] exceptionally reckless three-year-old … . But you do not need your fear in the realm of creative expression. She also writes: When people try to kill off their fear, they often … Read More
Mistakes, for a new year
The first days of this new year have brought oddly mixed emotions. Happiness and gratitude that all those celebrations with friends and family went well, mingled with sadness for the absence of all those we used to celebrate with who are no longer alive. Memories of the dead weaving (wefting?) through the warps of our lives (and not always sadly). And then a … Read More
What it’s like to write and what it’s like to imagine you might write; and Suffragette
In Edith Wharton‘s 1925 The Writing of Fiction in the section called ‘Constructing a Navel’ – obviously a typographical mistake but one I like for its overtones of contemplation – Wharton writes about the creation of character in a novel: The creatures of that fourth-dimensional world are born as helpless as the human animal; and each time … Read More
Mindfulness; 18 things creative people do differently and the ever-magical Elizabeth Gilbert
Mindfulness, according to The Mindfulness Project in London, is: A simple and very powerful practice of training our attention. It’s … about paying attention to what’s happening here and now (sensations, thoughts, emotions) in a non-judgemental way. It can interrupt the habit of getting lost in thoughts, mostly about the future or past, which often generate more … Read More
How incomprehensible unworkable things inspire
Joanna Briscoe and Grace Paley caught my attention this month. They’re very different writers but I’ve just read articles about writing by both. Grace Paley died in 2007 but a friend sent me her thoughts on writing recently. Here’s an extract from an article, reprinted here): One of the reasons writers are so much more interested in life … Read More
Ideas are NOT stories; and the Biblioteca Jardim
It becomes obvious if you write, but perhaps not if you don’t: ideas are not stories. Before I wrote or, at least, before I finished a novel, I didn’t grasp this fundamental fact because ideas, when they come (and I’ve no idea where they come from) are so exciting. They’re the fuel; the energy; the surge; the … Read More
The Brain in Love; and Jim Burge’s Burgeoning Promotional Videos for writers and artists
Dr Helen Fisher, a biological anthropologist at Rutgers University, studies the brain, in love. She gave a glorious TED talk about it, here. I particularly loved Walt Whitman: Oh, I would stake all for you. and Emily Dickinson: Parting is all we need to know of Hell. and Dr Fisher herself: Anthropologists have never found a society that did not have love. And, … Read More
Fog Island Mountains and Dr Atal Gawande, this year’s BBC Reith Lecturer
Michelle Bailat-Jones has written a beautiful novel called Fog Island Mountains. I’ve just posted a review of it here. The novel won the 2013 Christopher Doheny Award and I hope it goes on to sell, and so to affect, many many readers. It deserves to because it deals with the most serious event in our lives with eloquence, compassion, honesty … Read More
Sequels, Literary Festivals and Natasha O’Farrell’s heavenly handbag
There have been some heart-warming reactions to The Dance of Love and several people have suggested I write a sequel, possibly set in the Depression and the lead-up to the Second World War because, they said, it would be fascinating to find out what happens next in the characters’ lives and how they do or don’t live … Read More
Haworth Parsonage, Richard Flanagan and Anselm Keifer
In September we holidayed in England: we travelled north-west to Stratford (and saw a wonderful production of The Roaring Girl, a play about Mary Frith, an astonishing sixteenth-century woman who lived and dressed as a man, partly in defiance of her times to give herself freedom, partly so she could act as pimp, procurer and … Read More
The Launch of The Dance of Love, History of the Rain, and Emily Young’s Kew Gardens angel video
The DANCE of LOVE was launched at the wonderful Barnes Bookshop last Thursday: I wrote about on Robert Hale’s blog – the book’s publishers – here. It was a happy family affair: my whole family was there: my two younger sisters smuggled my American sister into the country for it which was a wonderful; the family of … Read More
Niall Williams’s History of the Rain
I’m so full of Niall Williams‘s History of the Rain that I don’t want to write about anything else this month. It is the most beautiful and beautifully-written novel I’ve read, probably ever, and if not ever, then certainly for a very very long time. And it is – naturally – a book I would love to … Read More
Failure is the Mother of Success; and Paula Meehan
失败是成功之母 Shībài shì chénggōng zhī mǔ Failure is the Mother of Success (a Chinese Proverb) Last week Anne Enright, Booker Prize-winning wonderful writer, gave one of BBC Radio 4’s The Value of Failure programmes. Sadly they’re no longer available to listen to again, but I’ll do my best to convey the essence of what she … Read More