Last week a friend of mine and I talked about the six books shortlisted for this year’s Women’s Prize for Fiction. We’ve done it before and it’s always illuminating (and fun) but because we both write fiction, our conversations are often also about the nature of reading fiction as a writer. Neither of us read – … Read More
Writing Courses
Janet Clare on getting published later on, and Vice’s Broadly.
I’ve been meaning to read this article by an older writer about starting to write later in life and how, after a very long writing journey and the discovery that every writer makes at some point, that all writing is rewriting, her novel was published. It’s only taken me eight months to get round to … Read More
Jericho Writers’ Self-Editing Your Novel Course, and the wonders of Atlas Obscura: destinations, food and drink
I’m in the final week of Jericho Writers’ Self-Editing your novel course run by Debi Alper and Emma Darwin and all I can say is if you’ve written a first (or even a twenty-first) draft of a novel and you know something’s wrong but you can’t put your finger on it, or you’ve had agent(s) ask for … Read More
For the Love of Life in COLLAGES, the Man Booker shortlist and a glorious goat gouda
In my post in July I wrote about the September publication of COLLAGES, a collection of new writing by students on Maggie Hamand’s wonderful CCWC courses. Maggie has kindly included an extract from my third novel, a work in progress called For the Love of Life, in the collection and now you can buy COLLAGES here, if … Read More
CCWC, Collages and the Peirene Press
Maggie Hamand who runs the Complete Creative Writing Courses, and the Treehouse Press, have collected and edited twenty-one stories from students on Maggie’s courses. The stories will be published under the title COLLAGES in September and I’m thrilled that a section from the beginning of my third novel, For the Love of Life, has been … Read More
Jacob Ross (and TLC)’s three-part master class, and campanology
Jacob Ross is running a three-part master class in writing the short story, the novel and genre fiction for the wonderful TLC (without whose wise criticism I doubt Speaking of Love would ever have found a publisher). The short story part was on 23 March, but the others are still to come and, should writing fiction … Read More
Breaking writing rules, and an extraordinary National Trust house
On Tuesday, at the last CCWC Advanced Writing Course of the spring term (where, by the way, is spring?) we broke the rules and found that, in breaking them, a freedom and spontaneous playfulness broke into our writing. If, for instance, you change point of view in the middle of a scene, you’ll very likely … Read More
Free indirect style, and the CCWC
I’ve struggled to understand free indirect style, let alone how to use it in fiction. But in James Wood’s brilliant How Fiction Works all is made wondrously clear through his lucid prose. As he writes, on page 11: Thanks to free indirect style, we see things through the character’s eyes and language but also through the … Read More