Category Archives: Creativity

Words on Writing, and Pass on a Poem

There are hundreds of thousands of words written about writing fiction: how to write, why we write, what to do when we can’t write and on and on so that, sometimes, I feel as if I’m adrift on a sea … Continue reading

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Spring in London, and The Kid Stays in the Picture

Spring in London is an astonishing thing: blossom among the grey buildings and pavements; green and blue and pink and white making us look up at it and then at each other and smile, us Londoners who spend most of our … Continue reading

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A History of Britain in 21 Women, by Jenni Murray

This is both the thing I’m writing about this month and the thing I’d love to have written, in a parallel universe where time is infinite and all things are possible:What an entirely brilliant and inspiring idea. It begins with … Continue reading

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Anselm Kiefer and Heywood Hill

On the weekend we went to the Anselm Kiefer Exhibition at the White Cube in Bermondsey. It’s just closed, but if there’s any of his work anywhere near you do go and see it. He is the most imaginative of … Continue reading

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Dare Always Dare, and Guerilla Grafters

A friend pointed out to me a week or so ago that this: DARE ALWAYS DARE is written in neon above the foyer entrance to the Old Vic Theatre (no idea why I’d never noticed it before): And so we should, if … Continue reading

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Third novel, and the Reith Lectures, 2016

This month I finished my third novel. Finished to be interpreted loosely: there will be redrafts when I’m working with an agent and then with an editor. It’s working title is For the Love of Life. Rejoice. At least for now. … Continue reading

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Rose Tremain’s The Gustav Sonata and Dioni Mazaraki’s silver jewellery

I’ve read all Rose Tremain‘s novels and I love the fact that they fail to fit neatly into any particular category (except the category of beautifully written stories about the way we are and how we become). They’re always and essentially different, one from … Continue reading

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How dramatic stories change brain chemistry, and NOT the Booker Prize

Good strong stories, as we all know, transport us to other people’s worlds. So, when we’re reading fiction, even though we know the people we’re reading about aren’t real, if the story has a successful dramatic arc we’ll empathise with those imaginary people and … Continue reading

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The UK Referendum, Brexit, and Meike Ziervogel on the importance of listening to other people’s stories

On 1 July Meike Ziervogel, founder and publisher at Peirene Press, published this: Translation is Europe’s only common language. Umberto Eco It’s a thoughtful and thought-provoking piece about the UK referendum, Brexit, and the importance of listening to other people’s … Continue reading

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Why Readers Stop Reading; Lisa McInerney’s 2016 Bailey’s win, and Penicillin

An interesting survey on why readers stop reading: There’s more here. It’s published by Lit World Interviews (I found it on a TLC facebook post.) The conclusions are mostly what you’d expect to put readers off (although I particularly loved Unexpected Sex as a deterrent to reading on). But … Continue reading

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brainpickings and mindset

I’ve just discovered a website called brainpickings. I was noodling around on the internet, trying to find out something for one of my characters (what it was escapes me now) but I recommend brainpickings for the heart and for the brain. The articles are written by Maria … Continue reading

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Do you want Escape or Experience when you read fiction? And: from food desert to food forest

I found this definition of the distinction between genre and literary fiction here: The main reason for a person to read Genre Fiction is for entertainment, for a riveting story, an escape from reality. Literary Fiction separates itself from Genre because it … Continue reading

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Mindfulness, Fitzroy Square and Subversive (Guerilla) Gardening

A few weeks ago I did an Introduction to Mindfulness day at the London Mindfulness Project (whose rooms are in the astonishingly beautiful, Georgian Fitzroy Square, at No 6): No 6, according to the Georgian Society, has: Over the years … Continue reading

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A Valentine to Fear; and Visual Verse

In Elizabeth Gilbert‘s brilliant new book Big Magic (I reviewed it here) she acknowledges that we need fear in our lives, otherwise we’d be: Straight-up sociopaths … [or an] exceptionally reckless three-year-old … . But you do not need your fear in the realm of … Continue reading

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Mistakes, for a new year

The first days of this new year have brought oddly mixed emotions. Happiness and gratitude that all those celebrations with friends and family went well, mingled with sadness for the absence of all those we used to celebrate with who are no longer alive. Memories … Continue reading

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What it’s like to write and what it’s like to imagine you might write; and Suffragette

In Edith Wharton‘s 1925 The Writing of Fiction  in the section called ‘Constructing a Navel’ – obviously a typographical mistake but one I like for its overtones of contemplation – Wharton writes about the creation of character in a novel: The creatures … Continue reading

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Mindfulness; 18 things creative people do differently and the ever-magical Elizabeth Gilbert

Mindfulness, according to The Mindfulness Project in London, is: A simple and very powerful practice of training our attention. It’s … about paying attention to what’s happening here and now (sensations, thoughts, emotions) in a non-judgemental way. It can interrupt the habit … Continue reading

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