Category Archives: Writing

Electoral Reform in the UK. And Inspiration.

On 5 May 2011 a referendum on electoral reform was held in the UK: 68% of us voted No; 32% (including me) voted Yes; the turnout was 42%. We weren’t collectively brave enough, or we were too frightened of change to vote … Continue reading

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103 years on, Titanic; and the things that come unbidden when you write

One hundred and three years ago today more than 1,500 people died in the freezing waters of the North Atlantic when RMS Titanic hit the iceberg and then sank, in the early hours of 15 April. My great-grandmother, Nöel Rothes, was one … Continue reading

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Sequels, Literary Festivals and Natasha O’Farrell’s heavenly handbag

There have been some heart-warming reactions to The Dance of Love and several people have suggested I write a sequel, possibly set in the Depression and the lead-up to the Second World War because, they said, it would be fascinating to find … Continue reading

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Haworth Parsonage, Richard Flanagan and Anselm Keifer

In September we holidayed in England: we travelled north-west to Stratford (and saw a wonderful production of The Roaring Girl, a play about Mary Frith, an astonishing sixteenth-century woman who lived and dressed as a man, partly in defiance of … Continue reading

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The Launch of The Dance of Love, History of the Rain, and Emily Young’s Kew Gardens angel video

The DANCE of LOVE was launched at the wonderful Barnes Bookshop last Thursday: I wrote about on Robert Hale’s blog – the book’s publishers – here. It was a happy family affair: my whole family was there: my two younger sisters smuggled … Continue reading

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Niall Williams’s History of the Rain

I’m so full of Niall Williams‘s History of the Rain that I don’t want to write about anything else this month. It is the most beautiful and beautifully-written novel I’ve read, probably ever, and if not ever, then certainly for a very … Continue reading

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Writing a novel is just like life …

… it’s only in the doing of it that I discover what works and what doesn’t. I can plan and plan and plan and I do, but when I do I tend, at least some of the time, to let … Continue reading

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Failure is the Mother of Success; and Paula Meehan

失败是成功之母 Shībài shì chénggōng zhī mǔ Failure is the Mother of Success (a Chinese Proverb) Last week Anne Enright, Booker Prize-winning wonderful writer, gave one of BBC Radio 4’s The Value of Failure programmes. Sadly they’re no longer available to … Continue reading

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The Shock of the Fall : hurray for mental illness in fiction

The subject matter of this year’s Costa first novel winner (and now overall 2013 winner), The Shock of the Fall by Nathan Fileris mental illness. Hurray! (Because publishers so often swerve when they see one of those coming.) And hurray for … Continue reading

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For the Love of Life in COLLAGES, the Man Booker shortlist and a glorious goat gouda

In my post in July I wrote about the September publication of COLLAGES, a collection of new writing by students on Maggie Hamand’s wonderful CCWC courses. Maggie has kindly included an extract from my third novel, a work in progress … Continue reading

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Voice, and Bill Viola

I have never really been able to explain to myself what voice means for an artist, and particularly for a writer, even though I know it exists. But when I read this: Voice is a set of ideas and concerns … Continue reading

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CCWC, Collages and the Peirene Press

Maggie Hamand who runs the Complete Creative Writing Courses, and the Treehouse Press, have collected and edited twenty-one stories from students on Maggie’s courses. The stories will be published under the title COLLAGES in September and I’m thrilled that a … Continue reading

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Jacob Ross (and TLC)’s three-part master class, and campanology

Jacob Ross is running a three-part master class in writing the short story, the novel and genre fiction for the wonderful TLC (without whose wise criticism I doubt Speaking of Love would ever have found a publisher). The short story part … Continue reading

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Breaking writing rules, and an extraordinary National Trust house

On Tuesday, at the last CCWC Advanced Writing Course of the spring term (where, by the way, is spring?) we broke the rules and found that, in breaking them, a freedom and spontaneous playfulness broke into our writing. If, for … Continue reading

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The making of character

Sometime last week I heard part of an interview with John le Carre about the making of character. This is what he said: You can’t actually make up a character out of other people, you simply can’t. You grab the … Continue reading

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Free indirect style, and the CCWC

I’ve struggled to understand free indirect style, let alone how to use it in fiction. But in James Wood’s brilliant How Fiction Works all is made wondrously clear through his lucid prose. As he writes, on page 11: Thanks to free … Continue reading

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Second novels

Stephen Fry wrote (I found it here, thank you Lydia Netzer, although I couldn’t find it directly from him): The problem with a second novel is that it takes almost no time to write compared with a first novel. If I … Continue reading

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Searching for the Secret River

I’ve just finished reading Kate Grenville‘s Searching for the Secret River: it’s brilliant, and a must-read for anyone who writes historical fiction (my second, about-to-be-redrafted, novel is one of those). Searching for the Secret River is a kind and wise book … Continue reading

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Personal best

It’s the stories behind the gold medals at London 2012 that have intrigued and heartened me because they apply not only to sport, but to anything we each choose to do or to be or to become. In writing, it … Continue reading

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A new novel for a new year

And so, in the days between Christmas and the dawn of 2012, I reread my second novel and revised it (yes, again, it is truly necessary and all part of the work of a writer) and then, on Sunday, 8 … Continue reading

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